Both of them have been suffering from bad dreams night after night. Here's a farmer, that hanged himself on the expectation of plenty, here's an equivocator, that could swear in both the scales against either scale; who committed treason enough for God's sake, yet could not equivocate to heaven, here's an English tailor come hither, for stealing out of a French hose: come in, tailor; here you may roast your goose, the primrose way to the everlasting bonfire, Shakespeare's Reputation in Elizabethan England, King James I and Shakespeare's Sources for, Contemporary References to King James I in, The Royal Patent that Changed Shakespeare's Life, Soliloquy Analysis: If it were done when 'tis done (1.7.1-29), Soliloquy Analysis: Is this a dagger (2.1.33-61), Soliloquy Analysis: To be thus is nothing (3.1.47-71), Soliloquy Analysis: She should have died hereafter (5.5.17-28), Explanatory Notes for Lady Macbeth's Soliloquy (1.5), The Psychoanalysis of Lady Macbeth (Sleepwalking Scene), Explanatory Notes for the Witches' Chants (4.1), The Effect of Lady Macbeth's Death on Macbeth, Temptation, Sin, Retribution: Lecture Notes on. (61 lines). Shake off this downy sleep, death's counterfeit, And look on death itself! MACBETH Speak, if you can: what are you? But let the frame of things disjoint, both the worlds suffer, Ere we will eat our meal in fear, and sleep, In the affliction of these terrible dreams. (Lady Macbeth; Waiting Gentlewoman; Macbeth), Lady Macbeth is concerned about her husband, who is dark-minded and cheerless. Murder and treason! She realizes he has planned something for Banquo and Fleance, but does not tell her what. Ed. Duncan, king of Scotland, hears an account of the success in battle of his noblemen Macbeth and Banquo. _____ There is no change of scene here. There’s comfort yet, they are assailable. Unmannerly breech'd with gore: who could refrain, That had a heart to love, and in that heart. He tells her that she does not know what he is thinking, and refuses to let her in on it. Hid in an auger-hole, may rush, and seize us? Those of his chamber, as it seem'd, had done 't: Their hands and faces were an badged with blood; So were their daggers, which unwiped we found, They stared, and were distracted; no man's life. me: but I requited him for his lie; and, I, think, being too strong for him, though he took, up my legs sometime, yet I made a shift to cast. For ruin's wasteful entrance: there, the murderers, Steep'd in the colours of their trade, their daggers. Scene 3. About âMacbeth Act 3 Scene 2â Lady Macbeth broods on the fact that itâs âsaferâ to be the dead king than to be in her and her husbandâs current position. That most may claim this argument for ours? So shall I, love, and so, I pray, be you. O, full of scorpions is my mind, dear wife! Elsewhere in the castle, Lady Macbeth expresses despair and sends a servant to fetch her husband. Our knocking has awaked him; here he comes. Better be with the dead. That shake us nightly. A park near the palace. It recalls the first soliloquy of Lady Macbeth in Act I, Scene 5 ("Come, you Spirits"), and it foreshadows the language at the end of Act III, Scenes 2 and 3, concerning the murder of Banquo. His silver skin laced with his golden blood; And his gash'd stabs look'd like a breach in nature. Glossary. Please consider making a small donation to help keep this site free. 'Tis not for you to hear what I can speak: Dear Duff, I prithee, contradict thyself. New York: American Book Co. (Line numbers have been altered.) Is to avoid the aim. First Witch All hail, Macbeth! The subplot of this second murder forms the basis of the whole of the next act.
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