Search for "The Gleaners & I" on Amazon.com, Title: Agnes Varda, Grande Dame of the French New Wave, describes her award-winning 2001 film as a "wandering-road documentary." Gleaners was filmed throughout France, in Beauce, Jura, Provence, the Pyrenees and in the suburbs of Paris. . [8] Peter Rainer dubbed it "lyrically ramshackle". The Gleaners and I (Les glaneurs et la glaneuse) Agnès Varda France, 2000. 17 Nov 2010. The Gleaners and I – Agnes Varda At the 21st century’s eve, Agnes Varda released a particular documentary called The Gleaners and I. I said to my assistant, "Call everybody you know. Few filmmakers can claim a gaze as full of grace and generosity as Agnès Varda, whose solidarity with the gleaners is only the starting point for this film, which encompasses an entire moral vision of the world of work. The Gleaners and I (French: Les glaneurs et la glaneuse) is a 2000 French documentary film by Agnès Varda that features various kinds of gleaning. Travelling along the French roads, director Agnes Varda meets many types of gleaner - men and women who gather and recycle … Anonymous. Recommended byNicolas Philibert, Jean-Pierre Dardenne. Year. Stream The Gleaners and I ad-free on all your favorite devices. "The Gleaners and I." This film has an unexpected brief interview with the psychoanalyst Jean Laplanche, plus follow-up segments on some of the featured people. In one scene, she "catches" trucks on the freeway, forming a circle with her hand in front of the camera framing the truck in the center, then closing her hand as she drives past them. [6] The work was acclaimed by critics, achieving a score of 83/100 on Metacritic[7] and a 92% approval rating on Rotten Tomatoes. Portraits of the people that occupy the small shops of the Rue Daguerre, Paris, where the filmmaker lived. "[11] For Varda, digital cameras and editing equipment are simply tools that enable her to film by herself and to get closer to people "and to collapse the time lapse between wanting to film something and actually being able to do it."[11]. Genre. svg-star. With the new digital camera, I felt I could film myself, get involved as a filmmaker.”[17] Varda's choice to make a camcorder a primary tool of production as well as a central element of her film, can be seen as an implicit (if not explicit) recognition of a new digital era in documentary filmmaking. 99 on Country. French Avant-garde filmmaker and documentarian, Agnes Varda trains her ever-seeking eye on "gleaners", those who pick at already harvested fields for the odd potato or turnip, who insist on finding a use for what... Read more. Gleaners: those idiosyncratic rural citizens who pick at already-reaped fields for the odd potato, the leftover turnip. 2000. An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. THE GLEANERS AND I. by Agnès Varda. Gleaners: those idiosyncratic rural citizens who pick at already-reaped fields for the odd potato, the leftover turnip. The Gleaners and I explores gleaning — the act of collecting food from farmers’ leftover crops after they have been commercially harvested. France. Camera in hand, Varda interviews those for whom gleaning is a way of life, or an encompassing philosophy. It is a late-career personal essay by a filmmaker whose personal touch was incubated in one of the most personal of all national cinemas, the French New Wave of the late 1950’s and early 1960’s. Varda's other subjects include artists who incorporate recycled materials into their work, symbols she discovers during her filming (including a clock without hands and a heart-shaped potato), and the French laws regarding gleaning versus abandoned property. Web. The Gleaners and I was first screened out of competition at the 2000 Cannes Film Festival ("Official Selection 2000"). The Gleaners & I. Les glaneurs et la glaneuse (original title) Not Rated | 1h 22min | Documentary | 7 July 2000 (France) Varda films and interviews gleaners in France in all forms, from those picking fields after the harvest to those scouring the dumpsters of Paris. "Official Selection 2000." Agnès Varda’s extraordinary late-career renaissance began with this wonderfully idiosyncratic, self-reflexive documentary in which the French cinema icon explores the world of modern-day gleaners: those living on the margins who survive by foraging for what society throws away. Agnès Varda entered the extraordinarily rich final phase of her legendary career with this casually brilliant documentary-cum-self portrait. Gleaners was formative in my understanding of the power, as well as the subversive nature, of documentary. Category. Ebert, Roger. Synopsis. Jake Wilson, on the other hand, conjectures that Varda (while perhaps not fully realizing it) tapped into the cultural zeitgeist and constructed a film that “embodies a quasi-anarchist ethos” that is built on a “resistance to consumerism, a suspicion of authority, and a desire to reconnect politics with everyday life.”, Varda's The Gleaners and I is notable in another regard, as well. Add to playlist. Most of the information is introduced seamlessly, like the way Varda lets a gleaner explain the difference between “gleaning” and “picking” soon after we’ve first heard the distinction and are beginning to wonder. "The Gleaners and I" places them in an ancient tradition. Use the HTML below. The film spends time capturing the many aspects of gleaning and the many people who glean to survive. ", Darke, Chris. Film. They make the statement; they explain the subject better than anybody."[4]. rogerebert.com, 11 May 2001. Film details. Recsk 1950-1953: The Story Of A Secret Concentration Camp In Communist Hungary, Los Angeles Film Critics Association Award for Best Documentary Film, Hôtel Terminus: The Life and Times of Klaus Barbie, National Society of Film Critics Award for Best Non-Fiction Film, New York Film Critics Circle Award for Best Non-Fiction Film, https://en.wikipedia.org/w/index.php?title=The_Gleaners_and_I&oldid=1010407618, Creative Commons Attribution-ShareAlike License. 1 hr 22 mins. "[13] Haden Guest argues that the ease with which Varda blends documentary and narrative technique is a key reason that her films continue to be so relevant, especially “as we witness a resurgence of documentary and a particularly strong interest in hybridized modes of fiction/nonfiction cinema” (48). 1 hr 18 mins. ", Guest, Haden. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism. "The Modest Gesture of the Filmmaker - an Interview with Agnes Varda. The first of Varda’s subjects recalls, “Gleaning, that’s the old way,” marking a clear distinction: old versus new, rural […] The unwanted food and crops farmers and supermarkets throw away, declaring it waste when it is still fresh. The film tracks a series of gleaners as they hunt for food, knicknacks, thrown away items, and personal connection. Zeitgeist Films. IMDbPro. Agnes Varda's documentary on murals in Los Angeles. The Gleaners and I takes a compassionate look at a rarely considered subculture whose individualism resonates powerfully with director Agnès Varda's humanistic approach. The Gleaners And I doesn’t make such heavy weather of the point, but Varda is careful to establish that historically gleaning has been “women’s work” – even if the majority of present-day gleaners in the film are male. Web. this is a sweet, engaging, inspiring movie, not diminished by itsbeing very personal, even if AV obsessing over aging and death isa tad off the subject. svg-star.